Toni浑厚的低音仍是那么真实、感性。在11月7日《天天向上》一个常德妹子跳的伦巴里听到了。Lyrics
感觉很好 ，应该很多人喜欢吧 就放上来。一起分享咯。
专辑《The heat 》由她自己还有 L.A.和 Babyface 共同精心炮制， 内中洋溢着使人心跳的节拍和令人神魂颠倒的原声吉他弹奏，
由 Roberta Flack 创作的“Fairy Tale”是专辑中最甜美的歌曲。
汗！既然没找到专辑的信息
此专叫《The heat》发行日期 2000年
有12首歌 都非常好听 喜欢黑人MM声音的千万表错过了。
And if I was wrong, I know I don’t deserve this
Don’t stay too long, I need to hear those words you use to tell me
From way back when we were just friends
Before this love affair began
Tell me how I love you wins
Or how a broken heart can mend
Just tell me this is not the end
Please tell me now
How the fairy tale begins
Or how it was supposed to end
Please tell me that part again
Ad libs Now tell me what’s wring, I never meant to hurt you, no baby, ooh
Was it the home, the car, or darling all those things we thought we Needed
Tell me even if it ain’t true
But baby please don’t say we’re through
Tell me how I love you wins
Or how a broken heart can mend
Just tell me this is not the end
Please tell me now
How the fairy tale begins
Or how it was supposed to end
Please tell me that part again
Ad libs
I wanna know that
Feelin’ that’s from way back
A time when it was true that, love was sweet and innocent
When you and I could still be friends
Make all the wrong be right again
Where true love never has to end
Ad libs Tell me how I love you wins
Or how a broken heart can mend
Just tell me this is not the end
Please tell me now
How the fairy tale begins
Or how it was supposed to end
Please tell me that part again
[ 本帖最后由 Nicoffee 于 2008-12-29 11:43 编辑 ]
Now i wanna share something about Rumba—history of dance.
The word Rumba is a generic term, covering a variety of names (i.e., Son, Danzon, Guagira, Guaracha, Naningo), for a type of West Indian music or dancing. The exact meaning varies from island to island. The word "rumba" comes from the verb "rumbear" which means going to parties, dancing, and having a good time.
There are two sources of the dances: one Spanish and the other African. Although the main growth was in Cuba, there were similar dance developments which took place in other Caribbean islands and in Latin America generally.
The "rumba influence" came in the 16th century with the black slaves imported from Africa. The native Rumba folk dance is essentially a sex pantomime danced extremely fast with exaggerated hip movements and with a sensually aggressive attitude on the part of the man and a defensive attitude on the part of the woman. The music is played with a staccato beat in keeping with the vigorous expressive movements of the dancers. Accompanying instruments include the maracas, the claves, the marimbola, and the drums.
As recently as the second world war, the "Son" was the popular dance of middle class Cuba. It is a modified slower and more refined version of the native Rumba. Still slower is the "Danzon", the dance of wealthy Cuban society. Very small steps are taken, with the women producing a very subtle tilting of the hips by alternately bending and straightening the knees.
The American Rumba is a modified version of the "Son". The first serious attempt to introduce the rumba to the United States was by Lew Quinn and Joan Sawyer in 1913. Ten years later band leader Emil Coleman imported some rumba musicians and a pair of rumba dancers to New York. In 1925 Benito Collada opened the Club El Chico in Greenwich Village and found that New Yorkers did not know what Rumba was all about.
Real interest in Latin music began about 1929. In the late 1920's, Xavier Cugat formed an orchestra that specialized in Latin American music. He opened at the Coconut Grove in Los Angeles and appeared in early sound movies such as "In Gay Madrid". Later in the 1930's, Cugat played at the Waldorf Astoria Hotel in New York. By the end of the decade he was recognized as having the outstanding Latin orchestra of the day.
In 1935, George Raft played the part of a suave dancer in the movie "Rumba", a rather superficial musical in which the hero finally won the heiress (Carol Lombard) through the mutual love of dancing.
In Europe, the introduction of Latin American dancing (Rumba in particular) owed much to the enthusiasm and interpretive ability of Monsieur Pierre (London's leading teacher in this dance form). In the 1930's with his partner, Doris Lavelle, he demonstrated and popularized Latin American dancing in London.
Pierre and Lavelle introduced the true "Cuban Rumba" which was finally established after much argument, as the official recognized version in 1955.
Rumba is the spirit and soul of Latin American music and dance. The fascinating rhythms and bodily expressions make the Rumba one of the most popular ballroom dances.
[ 本帖最后由 Nicoffee 于 2008-12-29 12:03 编辑 ]